Monday, 23 January, 2012

Warm, Versatile & Stylish...Gloves for Every Occasion!

We have a lot of popular styles of gloves as it all depends on what reason you are looking to purchase some. However, if you're searching for stylish gloves which are great in the winter, then by all means the most popular gloves are our Associate Gloves, bar none. These gloves have a great warm lining which is thin and feels soft against your hands. It allows you to manipulate that snow shovel or snow blower easily and efficiently. (Can you tell we had a bit of a snowstorm here?) If you live in a land of eternal sunshine, these gloves are still a great purchase as they are not so warm that you will be overheated as they breathe wonderfully.
 
The ultimate glove for warmth and versatility are our Stealth Gloves. These gloves are created for both men and women and are made from neoprene and leather. Neoprene is a great insulator and so your hands stay toasty and dry. The design details on the back of your hand, as well as the palm-side of your hand are made from leather. This latter detail makes gripping items easier. Their ease of movement is one of the reasons they are so very popular. They also have a warm lining inside them and are extremely lightweight. The best news of all is that they are on sale...25% off their regular price, for both men and women!


Speaking of women's gloves...if you are a motorcycle enthusiast (or just love very cool black leather gloves), then The Vixen Gloves are the ones for you! Long before there were cougars, there were vixens and these gloves will definitely add to that powerful, irresistible feeling you have when you put them on! The extra padding on the back not only gives you added protection on the bike, but is also a fantastic design addition! The added length on the cuff keeps the gloves nicely tucked into your jacket to protect you from the wind, while the gathering at the wrist allows for a snug fit. These gloves are also a great deal right now at 25% off the regular price!

Regardless of which style of glove you choose, you will not be disappointed with the quality of any of the choices from AbbyShot! Whether you want gloves for cosplay, texting, fashion or versatility, you will find something which will fit (pun intended)! With a number of styles currently on sale, you have even more added value!

The Oracle

When we read Rob's "The Oracle", we were immediately impressed by the fact that not only did he come up with an original plot, but he created new characters who were integral to the storyline. What was even more impressive was the way in which he utilized the component of the missing jacket! This, I am sure you will agree, is a very ingenious script! Congratulations, Rob on a job very well done! 

Doctor Who 
“THE ORACLE” 
--Rob Dennis

INT. THE GALLERY – MAIN HALL – EVENING.
LORRAINE LABRIE – 14, American, a long way from home – stands on the stage, nervous, bottom lip quivering. Baggy clothes, shopping bags, eyes straight ahead. She's staring at THE ORACLE. An emaciated man. Withered; with grey skin, EARMUFFS, and a BLINDFOLD. Strapped upright to a bed.

ANNOUNCER (V.O.)
As one sense diminshes, another strengthens to take its place – and so, by shutting off all other senses, the Oracle is granted perfect sight.

A STAGE HAND comes on, dressed all in black, and starts to untie the Oracle's blindfold. Lorraine glances away, past the 1,000 faces staring at her, snatching a look through the open foyer door.

A MAN, bow tie and braces, is arguing with the receptionist.

CUT TO:
INT. THE GALLERY – FOYER – EVENING.
The RECEPTIONIST is polite, gritting a stepford smile as she deals with her difficult client.

THE DOCTOR
Well check again!

RECEPTIONIST
I'm sorry, sir, but we've checked all over.

THE DOCTOR
Is there a VIP Cloakroom? The man said, he said we've got VIP tickets, he'll just take our--

A round of applause from the next room. THE DOCTORS stares in, sees LORRAINE on stage. Their eyes meet, just briefly. Then he sees her shopping bags. He smacks himself on the head – stupid!

THE DOCTOR (CONT'D)
You don't do VIP tickets, do you?

RECEPTIONIST
I'm afraid not, sir.

CUT TO:
INT. THE GALLERY – MAIN HALL – EVENING.
The STAGE HAND unfastens THE ORACLE's blindfold. It falls to the ground, revealing PALE, WILD EYES.

CUT TO:
INT. THE GALLERY – LOBBY – EVENING.
THE DOCTOR gibbering, making connections, thinking at lightspeed –

THE DOCTOR
Course you don't! A valet wouldn't leave the girl with her bags. Which means – no! No. Unless!

CUT TO:
INT. THE GALLERY – MAIN HALL – EVENING.
THE ORACLE staring at LORRAINE; piercing, intense, mad. She shudders, and he SEES it, magnified, seismic, her whole body tremoring, tiny hairs on her arm standing to attention –

CUT TO:
INT. LORRAINE'S BEDROOM – NIGHT.
FLASHBACK – NINE-HUNDRED YEARS AGO, a BLUE BOX materialises in a teenager's bedroom, with a sound like time ripping apart –

CUT TO:
INT. THE GALLERY – MAIN HALL – EVENING.
– and it's like THE ORACLE's seeing her past, reading her like an anthology –– his eyes roll around as he flits from chapter to chapter: a freckle on her nose, a grain of pollen on her jumper, a dent in her glasses –

CUT TO:
EXT. PICCADILLY CIRCUS – DAY.
FLASHBACK – EARLIER TODAY. THE TARDIS stands in an apocalyptic wasteland – the DOCTOR
leaps out, wearing a BREATHING MASK.

THE DOCTOR
Piccadilly circus!

Behind him, LORRAINE – wearing her own breathing mask, clinging to the doorframe.

(CONTINUED)
LORRAINE
What, Piccadilly circus London?

THE DOCTOR
No Lorraine, Piccadilly circus Monaco – yes, London! December 23rd, 4065.

CUT TO:
INT. THE GALLERY – MAIN HALL – EVENING.
– and THE ORACLE speaks, croaky, each word a chore.

THE ORACLE
Your name... Lorraine... from so long ago...

LORRAINE
How are you doing that?

ANNOUNCER (V.O.)
The Oracle sees – every atom a deep, dark secret.

THE ORACLE
...So old, yet so young...

THE DOCTOR (O.O.V.)
Lorraine, we're leaving!!

LORRAINE turns – THE DOCTOR's walking up the aisle, furious, approaching the stage. Still no jacket. But the Oracle's seen something. He's locked onto Lorraine. Inspecting her, seeing every atom.

CUT TO FLASHBACK – THE TARDIS HURTLES DOWN THE TIME VORTEX.
The Oracle grins, crooked, seeing the truth –

THE ORACLE
Doc... tor.

THE DOCTOR
I'm sorry?

THE ORACLE
Doc... tor!

LORRAINE
What is he –

THE ORACLE
DOCTOR!

– and the Oracle slumps! As dead. The room goes quiet.

CUT TO TITLES.
EXT. PICCADILLY CIRCUS – DAY.
AS BEFORE, THE TARDIS stands in an apocalyptic wasteland – THE DOCTOR leaps out, wearing a BREATHING MASK.

THE DOCTOR
Piccadilly circus!

Behind him, LORRAINE – wearing her own breathing mask, clinging to the doorframe.

LORRAINE
What, Piccadilly circus London?

THE DOCTOR
No Lorraine, Piccadilly circus Monaco – yes, London! December 23rd, 4065.

CUT TO:
INT. PICCADILLY CAVES – DAY.
A busy high street, full of shoppers and tourists and Christmas decorations, has been transplanted into an underground cave.

THE DOCTOR and LORRAINE fighting through the crowd – no breathing masks, Lorraine holding a shopping bag.

THE DOCTOR
All the pollution goes up, see, and rather than fix it, you just move down. An entire species, living underground.

LORRAINE
That's mad.

THE DOCTOR
More common than you might think. Small price to pay, never to worry about greenhouse gases again.

LORRAINE
Seems wrong to me.

CUT TO:
INT. PICCADILLY CAVES – SHAFTESBURY AVENUE – DAY.
LORRAINE has four shopping bags now, striding way in front.

LORRAINE
So you do this every day.

THE DOCTOR
Pretty much!

LORRAINE
And you can go anywhere you like.

THE DOCTOR
With whoever I like.

She stops. Turns around.

LORRAINE
Then why me?

THE DOCTOR
Lorraine LaBrie –

CASSANDRA (O.O.V.)
Excuse me!

They look around – a WOMAN is barging through the crowd, cutting a line towards them. She's harried, exhausted.

CASSANDRA (CONT'D)
Sorry, you don't know me – I just saw you, a few minutes ago, and I thought to myself, they look okay, and basically, would either of you be interested in going to this thing?  And she holds up TWO TICKETS: “THE ORACLE, THE GALLERY, 7PM.”

CUT TO:
INT. POLICE STATION – EVENING.
D.I. MARKHAM – 51, burly, red-faced – sits behind his desk, king of his empire.

MARKHAM
And then you went to the show, someone nicked your jacket, you charged down the aisle, and the Oracle just... collapsed?

Opposite, LORRAINE and THE DOCTOR are in handcuffs.

THE DOCTOR
Basically, yes.

MARKHAM
Right. Well if you've got no ID we'll have to take your names.

LORRAINE
I'm Lorraine LaBrie, and this is the Janitor.

The Doctor's admiring her, liking her taking control.

MARKHAM
Very funny. You're not helping your defence, here.

LORRAINE
What? What's wrong with Lorraine LaBrie?

THE DOCTOR
Ah – sorry inspector, Lorraine's her nickname. This is, er, Rose. Rose LaBrie.

MARKHAM
Rose LaBrie?

LORRAINE
Rose LaBrie?

THE DOCTOR
What? Don't believe me?

MARKHAM
She doesn't seem to herself, sir.

The Doctor smiles, tries to mask his impatience.

MARKHAM (CONT'D)
What's so important about this jacket, anyway?

LORRAINE / THE DOCTOR
It's very expensive. / It's bigger on the inside.

THE DOCTOR
I mean, what Lorraine said. Claire, even! Ignore my one. That'd be silly.

Silence. Markham doesn't know what to make of him.

THE DOCTOR (CONT'D)
Very silly.

Markham closes a file.

CUT TO:
INT. POLICE STATION – CELLS – NIGHT.
THE DOOR SLAMS – THE DOCTOR and LORRAINE locked in.

THE DOCTOR
You're making a mistake!!

But nobody hears. He joins Lorraine on the bench.

LORRAINE
This is awful.

THE DOCTOR
Oh, now now! I've been in worse scrapes. Do wish I had my sonic screwdriver...

LORRAINE
No, I mean this! Everyone living underground. It's wrong!

The Doctor's mouth twitches. Secretly ecstatic.

THE DOCTOR
I see. Interesting. I don't suppose you'd have any better ideas to deal with the gases, do you?

LORRAINE
Alright, maybe not. But there must be something.

THE DOCTOR
Well keep at it.

LORRAINE
Like it'd make a difference.

THE DOCTOR
You never know! Right idea at the right –

Click!

THE DOCTOR (CONT'D)
Sorry, did you hear that?

LORRAINE
What?

THE DOCTOR
Sounded like – no, it couldn't!

He gets up, excited, runs to the cell door! Presses his ear up against it.

LORRAINE
Sounded like?!

(CONTINUED)
THE DOCTOR
Aha!

HE PRODS THE DOOR – it swings open, effortless. Lorraine scrambles up.

THE DOCTOR (CONT'D)
Tumblers. In a lock. Someone out there likes us. And they're standing in the doorway. Side by side. Free.

CUT TO:
INT. PICCADILLY CAVES – NIGHT.
Empty streets, way past closing time. Still lit up by Christmas lights.  THE DOCTOR and LORRAINE stride along, galvanised, ready to attack.

THE DOCTOR
So! We're fugitives, accused of harming a beloved – if slightly creepy – local celebrity.

LORRAINE
Do we know why he went all slumpy?

THE DOCTOR
No, good point. Put that on the list. But above that, someone's nicked my jacket. Why would someone
want my jacket?

LORRAINE
Maybe they want your sonic thingy.

THE DOCTOR
Screwdriver. And no. Villengard's not running yet, they wouldn't know what they were looking at. Stupid
crime.

LORRAINE
What, you think they genuinely just fancy a jacket?

THE DOCTOR
Sounds stupid, doesn't it?

CUT TO:
INT. PICCADILLY CAVES – THE GALLERY – NIGHT.
They reach a handsome building, THE GALLERY at night. THE DOCTOR starts to inspect the building, looking for ways in.

THE DOCTOR
Oh I bet it's locked, isn't it. Why is everything always locked?

LORRAINE
I don't know, to keep burglars out perhaps?

THE DOCTOR
Like that'll work, just means you've got to buy a new window. Locks only work on well meaning snoops. And nice people who've lost their keys.

LORRAINE
He's not actually psychic, is he, the Oracle?

THE DOCTOR
What? No. Not at all. Why?

LORRAINE
How did he know all that stuff about me?

THE DOCTOR
You're not seriously worried about that are you?

LORRAINE
No.

She is.

THE DOCTOR
Cold reading. Old, old art, Oracle's just gone overboard. A decent performer can look at a subject and make a few educated guesses. The Oracle goes one further, deprives himself of all other senses to strengthen his sight – gets more visual information, better guesses – AHH!! Eureka!!

He does a little dance – he's worked it out!

LORRAINE
What? What?!

But the Doctor's in his own world. Clenches his fist, steels himself – – AND SMASHES THE WINDOW!

LORRAINE (CONT'D)
What the heck are you doing?!

An alarm goes off inside. He clambers onto the window ledge –

THE DOCTOR
The Oracle wears a blindfold!

– and drops himself in!

CUT TO:
INT. THE GALLERY – BACKSTAGE – NIGHT.
Lights out. THE ORACLE is strapped to his bed, asleep. Snoring. BLINDFOLD and EARMUFFS on. TWO SILHOUETTES enter – LORRAINE and THE DOCTOR, creeping across the floor. They speak in hushed whispers. Lorraine flicks the light on, and sees it. Draped over a GAS TANK: THE DOCTOR'S JACKET! The Doctor's already plunging his entire arm into its pocket.

LORRAINE
The Oracle stole your jacket?

THE DOCTOR
Or arranged for it.

LORRAINE
Why would he do that?

THE DOCTOR
'Cos the Oracle doesn't just see!

CU the Doctor – very smug.

CUT TO:
EXT. PICCADILLY CIRCUS – MORNING.
FLASHBACK – THE TARDIS PHASES IN.

THE DOCTOR (V.O.)
When the TARDIS lands, it makes a lot of noise. Not many people hear it, 'cos it's got a perception
filter, but the Oracle doesn't just see.

CUT TO:
INT. THE GALLERY – BACKSTAGE – MORNING.
THE ORACLE blindfolded, but alert. Not wearing earmuffs, and he can hear so many things. Conversations, footsteps – everything that's happening in a five mile radius.

THE DOCTOR (V.O.)
The Oracle mutes a sense to enhance his others – so what's he enhancing when he's got his blindfold on?
The Oracle hears something, locks in on it:

THE GRINDING OF ANCIENT ENGINES!
THE DOCTOR (V.O.)
Piccadilly Circus!

The Oracle grins.

LORRAINE (V.O.)
He heard the TARDIS?

CUT TO:
INT. THE GALLERY – BACKSTAGE – NIGHT.
THE DOCTOR still rummaging, ALARM still sounding –

THE DOCTOR
Well! He heard time ripping apart. Probably wouldn't know it as a TARDIS, but he's a cold reader. Filling in the blanks is kind of his thing.

LORRAINE
So what, the jacket was just a ransom?

THE DOCTOR
Presumably! Which will be why it's connected to this.

He takes his hand out of the pocket. Starts to inspect the GAS TANK.

LORRAINE
What is it?

THE DOCTOR
Bad, bad news. Gas tank. Connected, I'd wager, to the Earth's mantle. And it's fit to burst. Take off the jacket, and the gases vent into the room. We'll be killed.

LORRAINE
Is there nothing we can do?

THE DOCTOR
Not without the sonic screwdriver. Which isn't in the pockets.

LORRAINE
Why not?

THE DOCTOR
I don't know!!

He steps back, stressed, looking at the gas tank, trying to improvise a solution.

THE DOCTOR (CONT'D)
He must've taken it out. He's a forward planner. Had a hunch we might make it this far. Aggh!

He kicks the wall, head spinning! But then, stops. Looks at Lorraine. Like he's willing her on.

LORRAINE
It's either die, or leave it behind?

THE DOCTOR
We can't get back to the TARDIS without the sonic screwdriver. No ID, can't reach the surface. It's either die now, or get imprisoned for identity fraud. Unless you've got an idea.

And it's obvious. He's got an idea. But he's pretending not to. Wants her to work it out herself. So she looks at the gas tank, thinks, tries to work out what it is she's missed. And then, it hits. She speaks slowly. Revelation.

LORRAINE
Greenhouse gases. It's not right.

THE DOCTOR
I'm sorry?

LORRAINE
You say that tank's connected to the earth's mantle, yes?

THE DOCTOR
Well, yes, but –

LORRAINE
Well, that means the gases can escape one of two ways.

THE DOCTOR
Noooo, 'cause it's got to vent upwards.

LORRAINE
Or – downwards! That's the solution!

THE DOCTOR
I don't follow.

He's grinning. He follows, really. But she indulges him.

LORRAINE
If we can vent the gases down, everyone above will be spared!

THE DOCTOR
No, but gases rise. That'll take a lot more energy than letting it escape.

LORRAINE
Price worth paying, to stay alive.

THE DOCTOR
By jove, I think you've got it.

And so he runs over to the gas tank. PRESSING BUTTONS, TWISTING DIALS, making it look so easy. Fssssst! The GAS TANK disengages – the gases siphoning down into the ground. Lorraine smiles. Proud. Inspired.

THE DOCTOR (CONT'D)
There – empty! Which means...

He takes his JACKET off the GAS TANK, puts it on. Whole again.

THE DOCTOR (CONT'D)
Okay, I need you to head back into Piccadilly. Don't worry, I'll be with you in a sec – just need to...finish something up.

She nods, and darts out of the room. The Doctor waits for her to leave, then takes his SONIC SCREWDRIVER out of his TROUSER pocket. He presses a button – the ALARM stops. Then, from another pocket, takes out a £50 note. He slips it into the ORACLE's pocket.

THE DOCTOR
Cheers, mate. You've just rewritten history in your sleep.

And he DARTS OUT, full speed.

CUT TO:
INT. PICCADILLY CAVES – NIGHT.
THE DOCTOR and LORRAINE holding hands, running through the empty streets. They pass a FOUNTAIN, but they're dashing, hectic, too fast to read the inscription. “DONATED BY PRESIDENT LORRAINE LABRIE: MARCH 16th 3177.”

CUT TO:
EXT. PICCADILLY CIRCUS – NIGHT.
THE TARDIS stands in the middle of a VERDANT MEADOW. THE DOCTOR unlocks the door, LORRAINE behind.

LORRAINE
What happened here? This was toxic! I had a breathing mask and everything.

THE DOCTOR
But then you had an idea.

LORRAINE
Excuse me?

THE DOCTOR
The right idea at the right time can make all the difference. And if someone had thought to vent the gases downwards as early as 900 years ago...

LORRAINE
Oh my god. So this is all –

The Doctor walks into the TARDIS.

THE DOCTOR
Your ride awaits, Miss President.

CUT TO:
INT. LORRAINE'S BEDROOM – NIGHT.
LORRAINE's fast asleep in bed – dead to the world. Can't see or hear the TARDIS, dematerialising.

LORRAINE (V.O.)
When I woke up the next morning, I knew the Doctor was real. I told my mom, my brother about my adventure. They didn't believe me, thought it was just a stupid dream, but I knew I was right.

CUT TO:
EXT. LORRAINE'S HOUSE – NIGHT.
A lonely house in the middle of the countryside – midwinter, it's all but snowed under.

LORRAINE (V.O.)
As the years wore on, though, I began to lose my faith. Stopped believing in the Doctor. He just became one of those silly imaginary friends, like you have when you're young. But I never lost my faith in myself.

EXT. WHITE HOUSE - DAY.
LORRAINE, now 54, addresses the nation. Her inaugural speech.

LORRAINE (CONT'D)
Dreams matter. The right idea at the right time can change entire civilisations, and just 'cause something never happened, doesn't mean that it never will.

She looks down at her script, then into the audience. A thousand Americans, holding onto her every word.


Then, she glitches. Notices someone. At the back, a MAN. Curious looking, dressed in a jacket and
bow tie. He waves. No. It can't be. She clears her throat, shuffles her papers. And smiles.

END CREDITS.

Wednesday, 18 January, 2012

The Wednesday Uplink: Doodles

>RUN DIRECTORY PROTOCOL: INSI.DIR 2.x
>INITIALIZING CONNECTION...
>USERNAME: eon
>PASSWORD: ********
>WELCOME

There is scurrying about at AbbyShot at present. Items are not where they're suppose to be and the Pantone textile book is being opened and closed with alarming speed. I've been seeing a lot of silvery brown bits of threads and grey and red paint chips. There are more than the usual number of doodled designs in the garbage. I can't quite make out what it is suppose to be, but there are various versions of it strewn about the office. I can't find any sort of finalize d version, however, and I haven't yet figured out what it's part of.

I do know that there is talk of more Doctor Who products, but I am not sure if this fits. There was talk of potential new hoodies this year as well, but how would a doodle work on those? I am stumped. Any light you can shed would be great. 

In the meantime, I'll continue sleuthing and see what I can find out. Feel free to share your thoughts with me in an email, or post your ideas below this blog post, or on AbbyShot's Twitter or Facebook Page.

Until next time,  

Yours,
Eon

THE DOCTOR'S JACKET--Written by Josh Winton

Below you will find another sample of the wonderful scripts which were sent into us by the talented writers out there in the Whoniverse for our 2011 Christmas Contest. As we have mentioned, it was a brutal decision for so many writers were so deserving, many more of whose scripts you will read in weeks to come. Josh's script was filled with personality as he focused on the Doctor and even the relationship between Amy & Rory was palpable. Josh even earned extra points by writing about AbbyShot's Eleventh Doctor's Jacket so brilliantly! So, sit back with your favourite cuppa and enjoy Josh Winton's The Doctor's Jacket!

THE DOCTOR'S JACKET
Written by Josh Winton

INT. TARDIS - CHRISTMAS DAY
Intercut with various views of THE DOCTOR, running around his whirling, twirling, beeping console, seemingly pulling and pushing at random levers and buttons. Only he seems to know what he’s doing. He is alone, wearing his usual, save the jacket.

THE DOCTOR
Alright, my dear. Where to this time? Avalon with its six moons and advanced human civilization of Elbyon? Haven’t been there in a while. Be a bit odd though, all things considered...

The Doctor stops in his tracks seeming to think better of Avalon. 

THE DOCTOR (CONT’D)
(talking to himself)

True. Right. Well, of course not.
Maybe. Possibly. Never. Good!
Moving on then!

The Doctor begins his frantic movement again, busying himself with the controls while he talks.

THE DOCTOR (CONT’D)
What about Auros? Agghh! More humans. Why are humans everywhere? It’s like they’re on every planet.

(agitated)

Let’s not do humans for a change, eh? How about... Ooh, Augea! Anything and everything you’ve ever heard of, dreamed, smelt, seen, or imagined in Greek mythology, all set before you, totally covering the planet.

The Doctor seems to suddenly remember a time when he encountered the real-life Greeks.

THE DOCTOR (CONT’D)
Aphrodite - total goddess - literally. 

(gives a look of total satisfaction)

Medussa - saucy minx. Kinky too with those snakey things in her hair. Kind of creepy though. Oh!
And that cheeky fellow from--

The TARDIS seems upset by these remarks and begins to shake violently; the interior turns red.

THE DOCTOR (CONT’D)
What?! Whaaaat?! I’m sorry! You’re the sauciest minx I know . . . Really. Both my hearts are yours. You know that. Come on now.

(strokes the console, soothing it)

Shhhh. Shhhh. There we are.

The interior stabilizes and color returns to normal. The Doctor smiles and gives the console a wink.

THE DOCTOR (CONT’D)
Just remembered: Dante’s Inferno - bit of a dodgy place anyhoo. How about... Barcelona?

A pleasant ding is heard and the Doctor runs to the computer screen. A full readout on Barcelona is shown, along with a schematic of the planet.

THE DOCTOR (CONT’D)
(smiling)

Yes, yes. The place where dogs have no noses. Fantastic really... not that the dogs don’t have noses. Of
course, it’s not good when dogs don’t have noses, poor things. No that’s horrible. I didn’t mean...

(his logic trails to nothing)

THE DOCTOR (CONT’D)
(dismissing his thought)

Great choice! ...more or less. At least there’s a beach. I can lay out in the sun and you can...

(he draws back)

well, you can... stand there... like usual.

After realizing the awkwardness of the situation, the Doctor pulls down on a lever and off they go. In a matter of minutes they arrive, apparently in Barcelona.

THE DOCTOR (CONT’D)
Okay. Boots...

(he looks down)

check. Trousers... check. Shirt...

(he feels his chest)

Check. Straps...

(he pops his suspenders)

Check. Jacket...

(he feels for his jacket)

Che-

(Looking around)

Hold on. No check. Very much not checked. Right. First thing’s first. Just need to find my-
(perplexed)

jacket.

OPENING CREDITS
FADE IN:
INT. TARDIS CONSOLE AREA 
The Doctor looks thoroughly around the base of the console and behind the backs of chairs. He spins in circles as he decides where to go next.

THE DOCTOR
Hello? Jacket? Where are you? Jacket? Jacket? What kind of name is jacket? Really need to give it a name besides jacket. No wonder it ran off.

He takes the ramp below deck and searches frantically underneath. Nothing. He comes back up top.

THE DOCTOR (CONT’D)
(rambling. Continues search) 

That’s odd. When does that ever happen? I mean really. You save the earth countless times. You go to
and fro and back again; travel through space and time - and spacetime sometimes - go to other galaxies and planets and you save them and it’s all well and fine and everyone’s happy and I’m happy and I go off in my TARDIS again and save the day somewhere else. Last of my kind just roaming around saving the day and being all cool and stuff and I can’t even find a bloody jacket... on Christmas no less.

THE DOCTOR (CONT’D)
The Doctor comes down from the console area and behind one of the pillars. He starts digging through a box and throwing stuff out.

THE DOCTOR (CONT’D)
(to the TARDIS)

Give us a mo’, yeah? Be done soon and then we’re out the door. Promise.

FADE TO:
INT. TARDIS - 3 HOURS LATER
Intercut with various shots of different rooms in the TARDIS all in shambles. Books are everywhere. Clothes are strewn across the floors. His TENTH incarnation’s coat is draped carelessly over the console railing, along with the tattered shirt and pants. The FOURTH incarnation’s scarf ropes off the ramp to the lower deck. Cut to show nods to previous incarnations’ wardrobe, implying that he’s found everything but his jacket.

INT. TARDIS POOL
DESCENDING BIRD’S EYE VIEW OF THE DOCTOR
Laying in the middle of the pool which is now filled with various knickknacks and trinkets that have been amassed over the years, all in a big pile. He is exhausted. Eating on the celery that was once apart of a previous incarnation’s garb. He realizes how gross it is after all those years and throws it. He slowly digs in his pockets until he pulls out his SONIC SCREWDRIVER. He points it straight in front of him and it begins to whir and hum. He scans the room with it, swinging it violently over him like trying to swat a fly from the air. He flicks it, causing it to extend. He checks the reading. Nil.

THE DOCTOR
(agitated, almost to the point of tears)

Agggh! Come on!

(he checks the room again with his SONIC)

I loved that jacket. If Amy where here she-

(jumps up)

Amelia! Oh, Amelia Pond you beautiful ginger, you!
The Doctor slides down the pile of junk, landing on his feet. He runs out of the shot.

CUT TO:
INT. TARDIS CONSOLE AREA - MOMENTS LATER
The Doctor enthusiastically leaps up the steps to his console and grabs the phone, dialing a really, really long number. It rings.

CUT TO:
INT. AMY’S HOME - DAY
The Williams’ residence is bright and welcoming, Christmas tree and all. Amy is decorating. Rory is painting a model car. He is deep in concentration. Suddenly, the phone rings (continuously), and Rory drops the car, splattering paint everywhere. He looks angry.

AMY
Can you get that? My hands are a bit tied.

RORY
(Looking at himself covered in paint)

Yeah, well I’m a kind of-

Amy gives him a mean look.

RORY (CONT’D)
(giving up)

Yes dear.

AMY
(teasing him)

Aww. Poor baby! I’ll make it up to you later.

Rory answers the phone.

RORY
Hello?

THE DOCTOR (V.O.)
Rory!

JUMP CUT TO:
INT. TARDIS CONSOLE AREA
SHOW DOCTOR FROM THE CONSOLE’S POV; FOLLOW AS HE WALKS NERVOUSLY AROUND THE CIRCLE.

THE DOCTOR
Rory the Roman! Hello Rory the Roman. How are you? Happy Christmas! All that.

CUT TO:
INT. AMY’S HOME - DAY
Rory puts his hand over the receiver and turns to Amy.

RORY
(whispers)
It’s the Doctor.

CUT TO:
AMY
Why are you whispering?

Rory looks confused then down at the phone with a shrug when he realizes his hand is covering the receiver.

RORY
Uh... I’m-I’m good. Happy Christmas. How are-

CUT TO:
INT. TARDIS CONSOLE AREA
THE DOCTOR
(cutting Rory off)

Great. Rory listen. Listen very carefully. I want you to think now. Think very hard...

CUT TO:
INT. AMY’S HOME - DAY
AMY
What does he want?

RORY
He wants me to think.

Amy has a look of chagrin on her face.

AMY
Must be desperate.

Rory looks at her, taken aback. Amy waves it off and kisses his cheek. She is easily forgiven.

RORY
Okay, think about what?

CUT TO:
INT. TARDIS CONSOLE AREA
THE DOCTOR
(like talking to a slow person)

Have you seen a dressy brown jacket? Leather patches on the elbows? Looks cool? Remember?

CUT TO:
INT. AMY’S HOME - DAY
RORY
Uh... no... no I haven’t bu-
The line goes dead. Rory pulls the phone away from his ear. Amy looks at him confused.

AMY
What was that all about?

RORY
He wanted to know if I had seen his jacket.

CUT TO:
INT. TARDIS CONSOLE AREA
The Doctor realizes what he did and throws his hands up in aggravation. He re-dials the number. It rings.

CUT TO:

INT. AMY’S HOME - DAY
The phone rings. Rory picks it back up.

CUT TO:
INT. TARDIS CONSOLE AREA
THE DOCTOR

Sorry about that. Didn’t mean to be such a... well, in a bit of a bind at the mo’. Didn’t mean to hang up
on you. Anyway, really must go.

CUT TO:
INT. AMY’S HOME - DAY
Rory smiles.

RORY
Oh, that’s...

The line goes dead. Rory pulls the receiver away.

RORY (CONT’D)
...okay.

CUT TO:
INT. TARDIS CONSOLE AREA
The Doctor paces back and forth, biting his nails.

THE DOCTOR
(increasing speed)

Where could you be? Where. Where would I be if I was a brown plaid jacket with leather elbow patches
that got worn by someone who called himself the Doctor? In the looney bin, that’s where. No, no, that’s
where I should be, not my jacket. Where would I be if I were my jacket? I’d be on me... obviously, but if I wasn’t on me... if I was deprived of being myself as my jacket on me, where would I be? Where do all jackets go? In the closet. I’ve already emptied the closet though. So where else would I be? If I were a cool jacket on a cool person who couldn’t be on that person but wasn’t in the closet I would be...

(realizing something) The Doctor runs out of the shot.

CUT TO:
INT. TARDIS - HALLWAY - MOMENTS LATER
The Doctor comes to a stop in front of a solid silver door with one window that looks into what is apparently a laundry mat.

THE DOCTOR
(looking in the window, spying the clean jacket)
Oh, Doctor, you are clever. He smiles and takes out his SONIC and waves it in front of the door, the whirring going from high to low and back again. Nothing. This doesn’t deter him though. He tries a new setting and does it again. Nothing. His smile fades.

THE DOCTOR (CONT’D)
(beating his SONIC)

Really? Really.

He tries it again. Nothing.

THE DOCTOR (CONT’D)
(to the ceiling)

Seriously?!

Frustrated, he kicks the door, hurting his foot. He draws back angrily and YELLS AT THE DOOR. He limps away, back to the console area.

CUT TO:
INT. TARDIS CONSOLE AREA - MOMENTS LATER
The Doctor limps up the stairs to his console and sits in a chair. He thinks for a few moments about how to get to his jacket.

FADE TO:
THE DOCTOR (CONT'D)
The Doctor finds a spare Dalek head which he uses to fire at the door to no avail, tossing it to the side.

THE DOCTOR
Right. Need something bigger.

JUMP CUT TO:
CAMERA FACING INTO THE HALLWAY, GLIDES TOWARD THE DOCTOR WHO NOW HAS A CIRCUS CANNON.
He lights the fuse.

THE DOCTOR
(covering his ears)

Geronimo.

The cannon fires; the ball strikes the door HARD with a blast but leaves the door unscathed. A big frown forms over the Doctor’s face; still with his fingers plugging his ears.

JUMP CUT TO:
THE DOOR - CONTINUOUS
He tries running into it himself. Obviously, nothing. He attempts to pry it open with various objects including a crow bar, a shovel, and a forklift. The prongs on the forklift get wedged under; just as the door creaks, the prongs break off under the door. The Doctor sits in silence for a minute and then backs away from the door slowly, the methodical beeping sounds go off as he does so.

CUT TO:
The Doctor walking in the console area again. 


THE DOCTOR
Okay, come on. Use science. What’s the only thing that can move an immovable object? Well, nothing, hence the name, but that door is not immovable. It just looks that way. So what can move something that seemingly can’t move?

(he thinks a bit)

AH-HA!

(his look is mischievous)

A juggernaut.

CUT TO:
THE DOOR
It’s quiet.

CUT TO:
THE TARDIS CONSOLE
Empty.

CUT TO:
Close up of the Doctor. He breathes in and out, readying himself. He rubs his hands together.

THE DOCTOR
Here... we... go.

He pushes on the object that is barely visible on screen. It begins to roll. The Doctor strains but keeps pushing. It rolls faster.

THE DOCTOR (CONT’D)
(struggling)

Come on. Almost there. Just... a little... more.

Pull out to show the Doctor pushing a giant wrecking ball down the hallway, toward the door. It gains momentum. He eventually stops pushing as it picks up its own speed. A smile comes across his face.

THE DOCTOR (CONT’D)
I love science.

He follows the ball down the hallway. Eventually, it BANGS into the prongs from the forklift and comes back toward him.

CUT TO:
THE DOCTOR (CONT’D)
(deadpan)

I hate science.

The scene that follows mimics that of the boulder scene from Raiders of the Lost Ark with the Doctor running and screaming until he runs past camera and the ball comes straight for us.

CUT TO:
INT. TARDIS CONSOLE AREA - EVENING
The Doctor is exhausted, sprawled out lifelessly over two chairs, his SONIC dangling in his hand near the floor. A fez covering his face. As we pull back we see the wrecking ball against the railing of the console and one of the inner pillars destroyed. A light or two flashes and sparks fly out.

THE DOCTOR
(miserable)

My sweet, beautiful, brown, jacket with cool leather elbow patches. Oh, how I will miss you. At least I’ll always have you, fez.

He takes the fez off his face and gets up. He puts it on his head. He turns a few knobs on his TARDIS and pulls down on a lever.

THE DOCTOR (CONT’D)
Let’s just go spend the rest of our Christmas with Amy and Rory, eh old girl? Maybe they can cheer us up.

The TARDIS warps through a wormhole and they materialise on earth. In sadness, the Doctor is hunched over the console, readying himself to leave.

A knock raps across the TARDIS door. He looks up completely surprised. He takes out his SONIC and slowly walks over to the door, pointing it steadily. He reaches for the handle and WHIPS open the door, training his SONIC like a gun. No one.

CUT TO:
EXT. TARDIS - EVENING
Snow is falling everywhere, filling the sky with white. He leans out the TARDIS and looks both ways. No one. He looks down and sees a PACKAGE. He puts his SONIC away and brings the package inside, closing the door behind him.

CUT TO:
The Doctor brings the box up to the deck.

CUT TO:
A NOTE taped to the box. It reads simply:  Hello Sweetie


The Doctor smiles and rips open the package like a child opening their first present on Christmas morning.

The contents: his JACKET.

THE DOCTOR
(beaming, examining the jacket)

Ohhh, brilliant.

He opens up the jacket to put it on but he catches something in the corner of his eye. He looks closer.

THE DOCTOR (CONT’D)
Abby what?

He whips around, looking in all directions for someone.

THE DOCTOR (CONT’D)
River! What’s AbbyShot? This isn’t my jacket. I want my jacket.

A NOTE blows out of the inner pocket. The Doctor sees it and picks it up.

CUT TO:
NOTE
THE DOCTOR (O.S.)
(reading the note)

“Stop talking to yourself and try it on, you nutter. You can thank me later. Bring handcuffs. River”

The Doctor rolls his eyes to the back of his head and looks up, talking to the heavens.

THE DOCTOR (CONT’D)
Clever.

He puts the jacket on. He is surprised. He settles in to it, looking at its length and admiring the fit.

THE DOCTOR (CONT’D)
Looks better. Feels better... Is DEFINITELY better.

His mood brightens.

THE DOCTOR (CONT’D)
(to the TARDIS)
How do I look? ...thank you! As do you. Now what to do? New jacket makes me feel like almost anything.

(walks around authoritatively, pressing buttons)

It’s Christmas. Should we go to the Medusa Cascade?

The interior goes red.

THE DOCTOR (CONT’D)
(worried)

Oh, right. No Medusa. Forgot. Sorry. Struck a chord.

Interior color changes back.

THE DOCTOR (CONT’D)
The spiralling supernovas of X3-7? The ice nebulas of Analisia Deltori? French Revolution in 1789?
No. That’s not very Christmassy is it?

(he stops and walks back the other way)

How about I show off my new jacket to the Daleks before destroying them... again? Yes! No!

(beats himself in the head)

That’s not very Christmassy either. No, no, something that spreads a good feeling - though, admittedly that would give me a good feeling... best not all the same.

(goes back to normal, pulling on random levers)

All of time and space and nowhere to go... and humans complain about having too many channels to pick from on the telly. Telly! Why not watch the telly? God, no. And I thought the Cybermen were boring...

The Doctor rambles on to himself;

CUT TO:
THE DOCTOR (CONT’D)
THE TARDIS DOOR OPENING

THE DOCTOR
...or we could go...

(notices the door and stops what he was doing)

Right.

(smiles)

Amy and Rory’s. Simple. Christmassy. Why not?

(looks at the console; winks)

You always take me where I need to go.

The Doctor shuts down the oscillating center and leaves the TARDIS, locking the door behind him and touching it affectionately.

FADE TO:
INT. AMY’S HOME - EVENING
Rory is dressed in a SWEATER, wearing a PAPER CROWN and pulling apart a CHRISTMAS CRACKER. He and Amy are about to feast. Just as the contents of his cracker become visible, the DOORBELL RINGS. Amy and Rory look at one another. Rory gets up, knowing he’ll loose any argument they have about answering the door.

AMY (O.S.)
Thank you.

RORY
Yeah, yeah.

Camera follows Rory from the front till he reaches the door.

CUT TO:
The door opening and the Doctor standing there, a bright smile on his face, wearing a Santa hat.

THE DOCTOR
Rory! Happy Christmas!

CUT TO:
INT. AMY’S HOME - CONTINUOUS
The Doctor invites himself in before Rory can say anything, handing him 7 or 8 PACKAGES OF BISCUTS...

THE DOCTOR
Jammie Dodger?

(he takes an already open pack off the top)

Sorry, couldn’t wait till I got here. Hope you don’t mind. Absolutely famished.

The Doctor makes his way to the dinning room while Rory is left, hands full, to close the door.

CUT TO:
INT. DINNING ROOM - AMY’S HOME - EVENING
The Doctor enters, eating a JAMMIE DODGER with one hand, and
the package it came from held in the other.

THE DOCTOR
Amelia Pond! Heloooo!

AMY (O.S.)
(she screams excitedly)

Amy comes into the shot, arms open for a hug. The Doctor drops both his Dodger and the package to the floor, and flings his arms open, embracing Amy.

AMY (CONT’D)
(playfully scolding)

Where have you been, mister?

Their hug ends.

THE DOCTOR
Sorry. Had a bit of a wardrobe/TARDIS/christmassy malfunctionie kind of thing. No biggie. Least not for me. I’m the Doctor.

(smiles proudly)

Said quickly with no pauses:

AMY
You lost your jacket again, didn’t you?

THE DOCTOR
(denial)

...No

AMY
Liar.

THE DOCTOR
Who told you?

Rory walks in, one pack of Dodgers in-hand.

AMY
Rory.

RORY
What?

AMY
Not you.

THE DOCTOR
(upset; at Rory)

Rory!

RORY
(always at the two of them)

What?

THE DOCTOR
(waves it off)

Nothing.

RORY
Oh.

THE DOCTOR
(taken aback; playfully)

How could you?

RORY
What?!

THE DOCTOR
Seriously. I’m hurt.

RORY
(confused)

I...

THE DOCTOR
(moving to the table)

Christmas Cracker! Love these.

RORY
(more confsued)

Are we...?

THE DOCTOR
No. We’re not. Least not that I’m aware of. Like my new jacket?

He twirls around, showing it off.

RORY
It’s... the same.

THE DOCTOR
Oh, don’t be thick. Of course it’s not the same. It’s...

The Doctor looks down at his jacket.

THE DOCTOR (CONT’D)
Well, okay, to your credit, it does
look the same, but it’s not.

AMY
What’s different?

THE DOCTOR
What?! Everything! It’s... well it’s... Well it fits better.

AMY
That’s a plus.

The Doctor acts triumphantly in his answer, tugging on opening pleats of his jacket.

THE DOCTOR
See? Different.

He sits at the table.

THE DOCTOR (CONT’D)
So where’s dinner? Absolutely starving. Have I told you? Haven’t eaten all day... well, jammie dodgers on the way but they don’t count really, now do they? Oh! And a really old stick of celery but that was total rubbish and about thirty years old. But who cares about that? Let me tell you...

(starts telling them what happened earlier)

The camera pulls out slowly from the Doctor to go in between Amy and Rory who are going for their seats; The Doctor starts to excitedly regale the couple of the happenings earlier that morning. We continuously hear the tale, even as the camera pulls out a window of the house and into the snowy Christmas night. His voice eventually fades completely the further we go, the camera riding the empty, snow-filled street. It eventually parks itself just behind a picturesque view of the cottage-like houses on the right, and the TARDIS on the left, slowly starting to cover with snow.

This view holds for a while until...

FADE TO BLACK.
THE END

Tuesday, 17 January, 2012

Gauntlet Gloves Galore & More!

Geoffrey Chaucer we're not, but customers do seem to love our Gauntlet Gloves. In fact, we have indulged in three wonderful styles of them to be sure we appeal to those who love leather gauntlets in particular.We have our original Gentry Gloves which are smooth to the touch and elegant to look at. They are the modern Hero glove of sorts. Then we have the Granite Gauntlets which are more substantial with their padding and their rugged grey colouring. Finally, we have the Black Granite Gauntlets which combine the sleek black smooth colour with the tenacity of the times Medieval. The best part about these gloves is that they are all reduced by  25% and are on sale for $35.00 a pair! Whatever your preference, we have gloves to fit the occasion!

Tuesday, 10 January, 2012

Gloves Pass the Three F Test....

What the heck are the 3 Fs? Fun, Functional and Funky! Those words describe our gloves to a T! We have had reports of customers who find our gloves fun at conventions, functional in all types of weather and funky in design. The best part is that we have leather gloves to suit all tastes, some of which are even on sale, 25-40% off! 

If you're looking for cool gloves, we have  The Ocelot Gloves...fingerless with knuckle vents. If you want to funk it up a bit, then we have The Maverick Gloves which replace the velcro hand strip with a short zipper and plug the vents with studs! Speaking of studs, our Studded Shadows are currently our best deal at 40% off! They have velcro strips at the wrist and studs above that. These ones even have fingers! Our Dante Shooting Gloves are somewhat like The Ocelot Gloves only they have three fingers. Not only were these inspired by Dante in Devil May Cry and look great with the Dante Coat (also available in two colours of leather as well as custom fit), but our customers also love Dante Shooting Gloves as texting gloves for their index fingers and thumbs are free to fly! What is your favourite style of glove?



Wednesday, 4 January, 2012

The Wednesday Uplink: This Accessory Needs a Partner!

>RUN DIRECTORY PROTOCOL: INSI.DIR 2.x
>INITIALIZING CONNECTION...
>USERNAME: eon
>PASSWORD: ********
>WELCOME

Aha! I suspected something along this line when I got that partial snap last year. It seems as if the Design Team at AbbyShot HQ have created an awesome leather armband. The buckles are reminiscent of the Jenova, although it doesn't quite seem to suit Sephiroth's taste. I am thinking that perhaps there is another reason for the armband. Dante's Coat was paired with the Dante Shooting Gloves. (Oh, BTW, did you notice that the price of the Dante Pleather Coat has dropped by $50.00?!!) The Eleventh Doctor's Jacket is paired quite nicely with the Eleventh Doctor's Bow Tie. And so, I sense that perhaps this random accessory might indeed be paired with something as well... something cool and oh so coveted by many. Just what that "something" is, I am not sure. What do YOU think it might be? Please feel free to share your thoughts with me in an email, or post your ideas below this blog post, or on AbbyShot's Twitter or Facebook Page.

Until next week,  

Yours,
Eon

Saturday, 31 December, 2011

Christmas Contest Winning Script

Hello, fellow Whovians. Below you will find our winner of choice for our 2011 Christmas Contest. As we have mentioned, it was a brutal decision for so many writers were so deserving, as you will see in weeks to come. Pete's script kept Christmas and the missing Eleventh Doctor's Jacket as constants. His nemesis was strong and great fun in a timey-wimey way.  All elements worked well together to create a memorable script. Parallels with past episodes may also be made, so sit back and enjoy your adventure with Pete Bottomley's Last Minute Shopping.

Last Minute Shopping
By
Pete Bottomley

1. EXT. TOWN – NIGHT
As with all magical Christmas tales, we open on a beautiful deep-blue sky, scattered with grey clouds like some gloomy Tim Burton-esque patchwork quilt.

It’s Christmas Eve.  And it’s snowing.  Iridescent flakes of crystal white flutter down through the darkness, swirling in graceful arcs as they’re caught effortlessly by a night breeze.

And we hold on one, tracing its elegant descent. Down, down through lower clouds bringing into focus a TOWN CENTRE.  Simple, modern – pinpricks of Christmas lights breaking through the dull burnt orange of streetlamps.  And yet it looks odd.  Almost artificial.  Like a nuclear weapons testing site from the 50s.  Over this, soft and measured:

THE DOCTOR (V/O)
Down there on Earth, this is how they celebrate Christmas.  

The centre is surprisingly deserted, the snow falling not yet heavy enough to settle.  The Pogues’ Fairytale of New York can be heard in the distance, haunting and wonderful at the same time.

THE DOCTOR (V/O CONT)
Every year, always the same.  Oh, the lights and decorations get better and the songs get worse.  But nothing changes... Not really...

And we’re moving with the snowflake, as it’s lifted and propelled up higher once more, over the lights and shops. It once more joins its brothers and sisters over the rooftops, but we stay with it as it traces whispering trails above streets and lanes

THE DOCTOR (V/O CONT)
Every Christmas. Every year. They celebrate.

It shifts and dances higher on the breeze, leaving the greys of the strange, modern town-life behind, stretching fields of green shaded a night blue falling in its wake and still it keeps rising, defying gravity, until the molten orange and gold of the night sky becomes darker and quieter.

THE DOCTOR (V/O CONT)
But not me...

Up and up it journeys until it’s lost against the curtain of stars, seeming to become one.

And suddenly the festive sound from below has gone. It’s serene. And oh-so beautiful.  A silent night.

And now we’re pulling back, slowly and steadily, and suddenly the scene of stars and deep night sky ripples, like a finger tracing through water as we’re drawn back further, moving through the shimmering ripple, back through gleaming glass – 


2. INT. QUERCUSIAN FLIGHT DECK – NIGHT   

– revealing that the entire snowy town is in actual fact within a SNOW GLOBE held out by THE DOCTOR.

THE DOCTOR
....because I’m here!

And we’re sweeping up and out, to expose a colossal, majestic cathedral of a flight deck that makes up the core of the Quercusian spaceship.  Its walls stretch up impossibly into a high domed roof that throws a blanket of shadow over the occupants below.

The scene is rendered even more unfeasible by the simple fact everything is made of WOOD! Dark, twisted and knotted, what it lacks in elegance it makes up in size and spectacle.  Pockets of flames are jutted through the many tiers, revealed to be piles of coal fuelling the juddering roar of the ship’s engines.

And strangely, against everything natural, it looks Christmassy!  Like the wooden huts, smells and colours of a German market, it seems perfectly at home amidst the December season.

Until we see the QUERCUSIAN ELDER.  He is HUGE, a twisting, spidering curl of knotted wood – humanoid but built like a Strider from War of the Worlds he towers and fills the open space of the control room easily.  Burnt-black joints are woven with unpleasant moss-like manure, and like an Ent, his features are crudely constructed from the bark of his “skin”, however, unlike an Ent, they are gnarled and cruel.

And then, so, so far below in the bowels of the flight deck, we CUT-ZOOM back to the Doctor. So small against the looming shadow of the Elder, but so mighty despite his foppish hair, skew-whiff bow tie and green coat.

If there was music, it would undoubtedly be I’m The Doctor well into the string section.

He twirls flamboyantly, taking in the size of the flight deck, snow globe sketching the air as he animatedly rolls his free hand.


THE DOCTOR

But like Christmas, I’m worth the wait.  Because that’s the point. That lot down there! They’ve earned that! Every. Single.  One.  Including the naughty ones! They’ve earned their presents.  They’ve earned their turkey, their nut roast, their last-minute Kentucky Fried Chicken. They’ve earned their Christmas.


And suddenly, the innocent snow globe seems a lot more threatening than it did. And the Doctor’s so quiet now, the anger simmering beneath the calm


THE DOCTOR

Tell me what you’ve earned this year, Your Highness...


And now the QUERCUSIAN ELDER is speaking.  And yet not. It’s just a dry, rotting click of creaking wood and howling wind – like a dozen breezes are blowing through a dozen dead trees on a winter night.  Thankfully it’s SUBTITLED.

QUERCUSIAN ELDER

“You tell me, Man Of Medicine.  Tell me how you intend to bring the great Quercusian Forestry to its roots. I have heard your words and witnessed your disapproval... but you are just one tiny man.  So speak and enlighten me as to what possible claim you have over the Earth.”


THE DOCTOR

No claim.  Here to help – read the badge!


And he’s proudly displaying his Closing Time badge, still pinned to his braces.


THE DOCTOR (CONT)

And I’m sorry but time’s up ... because is it me, or is getting a bit chilly in here?


The low creak and snap as the Elder’s strange bow-like-brow arches, watching as the Doctor, with his free hand, pulls out a red Santa hat, drawing it over and down his ridiculous fringe.  


And suddenly – miraculously! – a beautiful, crystalline snowflake is forming high above in the liberty of the domed roof.  It holds for a minute, before slowly, delicately, fluttering down. 


So simple. 


So beautiful.


And yet the Elder is terrified, the clicks and rattle of wind fast, anxious and frantic.

QUERCUSIAN ELDER


“What have you done?!”


And the Doctor’s fiercely calm as he pulls out an impossibly long Fourth Doctor scarf that should never have been able to fit into his narrow coat pocket.



THE DOCTOR

Well, you could say I exposed your quantum temporal engines to a foreign bionetwork of... ah... self-inducing ice particles held together within a containment field... Or...


Triumph now as he wraps the scarf around his neck, holding up the snow globe.


THE DOCTOR (CONT)

I’ve made it snow inside a spaceship!


(A wonderful grin)


Right! Well, I think that’s me done.  Because in about 34 seconds – oh – ?


(Checks his watch)
 
32 seconds – your command deck’s going to become a Winter Wonderland.  And I doubt you want me to be here when that happens.  In fact, I doubt you want to be here when that happens.  I’d offer you a lift to the nearest nebula, but to be honest, I don’t think you’ll all fit into my pokey little ship!  


And now it’s snowing heavily, thousands of flakes bearding the Quercusian controls, frosting the uneven flooring, and the Elder is quivering with unspoken rage, the snow clumping over his spindly arms.  But the Doctor’s already talking again:


THE DOCTOR

But don’t worry. Really. Don’t panic. Because it’s all reversible.  As soon as you hit a neighbouring planet’s atmosphere you’ll defrost.  Or your engines will reignite upon re-entry.  Just in time for Christmas.


(Beat)
 

Next Christmas... Possibly the year after...


(Beat)


I’m actually not too sure on my dates to be honest.  Maybe worth getting your coats now.  Oh, and by the way – 


And suddenly, with frightening speed, he hurls the snow globe high into the domed room.


THE DOCTOR (CONT)

– Season’s Greetings!


And like a gunshot, it shatters mid-air and the world is a blizzard – a tornado of virgin white snow engulfing the Elder and the room as we – 


CUT TO:


3. INT. CORRIDOR – NIGHT 


THE DOCTOR, pounding down a hooked and claustrophobic looking corridor, snow spattering underfoot in sprays of white, green coat billowing.


And everything SLOOOOWS DOWN, a classic slow-mo as the backdrop of fading corridor is broken by falling snow. It’s beautiful, magical and heroic all at the same time, It’s Beginning To Look A Lot Like Christmas playing behind the action.


Winding, tumbling, twisting, the corridor snakes on endlessly as the Doctor belts down it, until we see...


...the TARDIS.  Strong.  Ridiculous. It’s cobalt blue sheathed in heavy white.  And we follow the Doctor as – 


– WHAP!! – 


– he stumbles, falls and the Christmas music is stolen away, the danger real again as he turns to see:


A QUERCUSIAN CREATURE, weak and yet monstrous as its grotesque head lifts up from the floor of snow, like it’s part of the ship, the whole ground turning against the Time Lord.


And we now see what he sees, its hooked and clawed root-like fingers snaked around his ankle – 


– and it tugs him back a foot or so, deeper into the wintery abyss behind.


Snow falls hard against the Doctor, relentless and unforgiving, making it harder for him to struggle.


And suddenly a dry pop and crack pierces the air, as a sheen of glass-like ice begins to frost over the root fingers, the deep black-green becoming sparkling and frozen, until finally the whole finger SHATTERS, ice fragments splintering into a billion pieces – 


– and the Doctor’s free! Scrambling, fighting against the deluge of snow, he stands and practically hurls himself into the TARDIS doors, his shivering fingers struggling with the key, until it painstakingly FINALLY opens and he falls inside.

CUT TO:

4. EXT. SPACE – NIGHT


The wheezing, groaning VWORP!-VWORP! of the ancient TARDIS can be heard off screen as we see the QUERCUSIAN SPACESHIP – like a withered cluster of spiders – slowly freeze over, jagged blades of ice rupturing up and out like bizarre growths.  


A second more, and then silence as the iceberg-like vessels hangs in space, floating eerily like some strange frozen star... 


And then:


THE DOCTOR (O/S)

It wasn’t a distraction!


CUT TO:


5. INT. TARDIS – NIGHT


THE DOCTOR, pacing around the rising and falling time rotor, the long cable from the TARDIS phone struggling to follow (and stretch).  He’s in his shirtsleeves now.


THE DOCTOR (CONT)

I just... ah... happened to be in that part of the Gamma Quadrant on route.


(Pause as the caller speaks. Then, slightly indignant)


Well, I happened to fly the TARDIS into that particular wormhole in the Rainbow Cluster near the Gamma Quadrant ... 


(Another pause, listening)


...no, you and I both know Jack didn’t even buy that house, let alone build it!

He moves around the console, vaguely flipping switches and twisting dials, listening.


THE DOCTOR

Of course I’m not scared!  If I hadn’t ... er... happened to be in the Gamma Quadrant when that Quercusian Ship left Abstract Space, I would never have tracked it back to Earth and prevented them from colonising an innocent planet!  Like I said, wasn’t a distraction. More of ...ah... diversion.  Like a road-closure except with more tree alien thingies.  Like a tree alien thingy fell on a road closure. Really you should be thanking me.


(Listens)


Okay.  First – rude.  Second – of course I have it.


He words belie his actions though as he frantically skitters down the steps towards the coat stand near the doors. Frantically he scrambles into the tweed jacket hung up, until finally he brandishes a little too loudly, a small crumpled piece of paper that’s seen better days. 


THE DOCTOR

Right here!  In my pocket where...


(His voice cracks, confidence gone as he finishes grudgingly) 


“...you moved it so I wouldn’t forget it after the last time I forgot it”.  Shut up!


He bounds up the steps again, hands skimming the keyboard like an expert Wurlitzer, listening, but not really listening as he begins to pump a flimsy looking piston.


THE DOCTOR

So this is me.  Back on the yellow brick road.  Armed with quite possibly the most important document since the Magna Carta or the eighth Harry Potter book!  

Flooring the Atom Accelerator!


With flourish, he spins the strange contraption


THE DOCTOR (CONT)

Buffering the Referential Differencer!


Pinballs zing and ding! around a section of the console at the Doctor’s sharp turn of a dial.


THE DOCTOR (CONT)

And releasing the Drift Compensators!


A big triumphant grin as he slams down the final switch. A pause, the caller saying something and then the Doctor’s INSTANTLY knocking the switch back off again.


THE DOCTOR (Caught out)

That’s what I said!


Leaning across and twisting a chunky looking device


THE DOCTOR (CONT)

Releasing the Automatic Drift Control! Came out as Drift Compensators.  That, or it’s a bad line. Whichever one seems more plausible... aaaaand – !


And the TARDIS lurches into gear, the time rotor breathing into life as the wheezing engines murmur powerfully. 


VWORP!-VWORP!-WHUMP!!


And they’ve landed.  And all that can be heard is the strange ethereal melodies of the TARDIS.


And now the Doctor’s quiet as he rests against the controls, suddenly looking all 900-odd years, the weight of the universe bearing down on him.


THE DOCTOR

Just remember I’m doing this you.  For all of you.  But trust me, I’ve been on board ruined Dalek saucers, been surrounded by quantum-locked assassins and even been in a car with Pond at the wheel...


Big breath, ready but never fully ready.


THE DOCTOR (CONT)

There’s nothing left in this universe that fazes me.


He slowly places the phone down onto the receiver with a dulcet click, and strides down towards the double doors. Shouldering into his jacket he takes one final look at the list, before tucking it into his inside pocket.


A second big breath, the Doctor turns his head back towards the impassive time rotor, and in a quiet voice, addresses the TARDIS:


THE DOCTOR

Do you think she believed me, old girl?


Silence.
THE DOCTOR (CONT)

No.  Me neither.


And he pulls open the TARDIS door, stepping straight out into:


6. EXT. SUPERMARKET CAR PARK – NIGHT 1900


An everyday supermarket car park.  


Big – not quite the scale of Quercusian ship – but the rain-slicked lots stretch well into the night. Stadium-esque floodlights illuminate hundreds of parked cars, trolley bays and shoppers wrapped up tight against the cold.


And as we rise up over the car park we see the supermarket itself – sprawling, modern, huge flamboyant festive-red letters spelling out J. Smith’s (Love a fanboy reference!).


And for once, the TARDIS is dwarfed by the sheer ordinariness of it all.  Even stationed miraculously in a car space, the Salvation Army Brass Band playing pay no heed, the passing shoppers chatting amongst themselves ignorant to it...


...it’s as if the Chameleon Circuit is actually functioning!


And we’re back on THE DOCTOR at the TARDIS door, his face a mixture of trepidation and childlike giddiness.


THE DOCTOR

Geronimo ho ho...


And we crash into:


OPENING CREDITS!

7. EXT. SUPERMARKET CAR PARK – NIGHT 1901

We track low and fast to a pair of steel toe-capped leather boots as they purposefully break through mushed brown snow.  Panning up, we see the owner is BILL, 59, grizzled and set in his ways – the kind of man who’d look more at home in the bowels of a Navy ship. 

His luminous jacket however, reveals the J. Smith’s insignia; he is actually an employee – or more specifically, a trolley attendant.

As we sweep along with him, in the b/g we can see THE DOCTOR pulling the TARDIS door shut. He turns, and catches BILL, all smiles and arms.

THE DOCTOR
Yes, yes. I know. Impossible! Bonkers! And just the teensiest, tiniest bit exciting! But don’t worry, it’s supposed to do that. Just think of it as a Christmas Miracle! 

BILL
You still can’t park there, lad. Parent and child only.
 
On the Doctor, startled – he wasn’t expecting that!

THE DOCTOR (Sheepish)
Oh. Right. Okay. I’ll ... ah... re-park it.

CUT TO:

8. INT. SUPERMARKET FOYER – NIGHT 1910

A bustling, chaotic beehive of shoppers.  Everywhere is draped in a plethora of festive decor – tinsel entwined around self-checkouts, deep-green garlands dangling in majestic crescents and every staff member has been (forcibly or otherwise) garbed in Santa and elf hats or for the more unfortunate, reindeer antlers.

I Believe In Father Christmas by Greg Lake pipes through, only adding to the Winter Wonderland effect as THE DOCTOR – a little lost, out of his depth, but LOVING IT – ponders through a makeshift corridor of Christmas Trees – some flecked in star-like lights, gold and red baubles speckling the pine needles.

A padded cheaply-suited SANTA is cheerily ringing a bell – very New York city.
On the Doctor – delighted!

THE DOCTOR
Geoff!! 

He takes the Santa’s hand (still holding the bell) and pumps it excitedly, bell gonging loudly.


THE DOCTOR (CONT)
Good work! I almost thought it was him! Although, I think he backcombs the ol’ beard these days!  But oh, I love a cosplayer!

He leans in, the Santa bewildered, but going with it.

THE DOCTOR (WHISPERING)
People actually think he’s a Time Lord y’know when in actual fact we stole the technology from him!

The Doctor taps his nose knowingly, and snaps his fingers into a friendly Fonz-style point and turns away – Santa left a little dazed, before finding his composure, shouting after him:

SANTA
Wasn’t funny the FIRST time!

And now we sweep up to really showcase the size and scale of J. Smith’s; labyrinth-like aisles and displays seeming to stretch into eternity.  People EVERYWHERE, barging, bustling, jostling for last minute bargains.

The Doctor, taking everything in.

THE DOCTOR
Christmas shopping ... here I come.

JUMP CUT TO:

9. INT. FRUIT ‘N’ VEG AISLE – NIGHT 1915

On KELLI, dirty-blonde, young and a bit a gobby – all attitude and chewing gum. She looks less than impressed with her elf hat, and even less than impressed with THE DOCTOR.

KELLI
You wan’ what?

THE DOCTOR (Reading from the list)
Mistletoe apparently. 

KELLI
We don’t sell mistletoe I’m ‘fraid sir.

THE DOCTOR.
Ah. Not to worry 

(reads the namebadge)

“Kelli with an ‘i’ except it’s not, it’s a smiley face”, I’ll just make do with asparagus. Still green and will probably taste the same if we’re all honest.

Kelli – confused, just opens and closes her mouth as the Doctor air-kisses her.

CUT TO:

SLAM! CU on a bunch of asparaguses being thrown into a trolley.

JUMP CUT TO:

10. INT. BAKERY COUNTER – NIGHT 1920

BABS, a jolly, rosy-cheeked woman, all smiles and good cheer with an inviting West Country accent only adding to her charm. Behind a fresh bakery counter.

BABS (Taken aback)
A Christmas Pudding, my love?

THE DOCTOR – flamboyant of gestures and loud of voice as he waves the crumpled list.

THE DOCTOR
The biggest you can grow, Babs – can I call you Babs? Say I can, Babs!

BABS
Er yeah...? And you’ll probably find them in the cake aisle, dearie.

THE DOCTOR
Ahhh. The cake aisle! Makes sense! I remember walking through the cake aisle earlier and thinking “I bet if Babs can’t grow me a Christmas Pud, it’ll be in the cake aisle.  The aisle of cakes.”

Confident smile and he spins on his heel. A pause. Then spins back.

THE DOCTOR
Where is the cake aisle?

CUT TO:

SLAM! CU on a ridiculously extra large Christmas Pudding being thrown into the trolley.

JUMP CUT TO:

11. INT. BISCUIT AISLE – NIGHT 1930

PAUL, gawky, bespectacled teen, his face a mask of disbelief.

PAUL
You want how many packs?

THE DOCTOR
Twelve hundred and fifty six. No fifty-five. Don’t want to be greedy.

PAUL
I think we only have the forty.

THE DOCTOR
Close enough. And besides, they weren’t even on the list anyway! But shhh!

He places a finger to his lips.

Paul, dazed, mimics the action.

CUT TO:

SLAM! SLAM! SLAM! CU of forty packs of Jammie Dodgers landing in the trolley

JUMP CUT TO:

12. INT. CEREAL AISLE – 1935

THE DOCTOR, in his element as he guides the trolley down a surprisingly empty aisle.

CU as he ticks off a few more items on the list with a small pen and tucks both into his lapel pocket.

THE DOCTOR
Just a few more items left. Easy. Christmas Shopping – like quantum physics except less quantum-y.

He reaches the end of the aisle, and is about to round the corner – 

– when ANOTHER DOCTOR slams into him, frantic, out of breath and JACKETLESS!! The same Doctor, just minus the jacket and trolley – a FUTURE DOCTOR.

      THE FUTURE DOCTOR
Forty-two!

On the current Doctor, shocked but taking it in.

THE DOCTOR
Meaning of life? Number of goes it took me to crack sky-diving and metaphysical verse...

(Beat)

...at the same time?


THE FUTURE DOCTOR
Forty-two aisles! All filled with...

His hand dances, as he finishes, almost disapprovingly

THE FUTURE DOCTOR (CONT)
...shoppers!

THE DOCTOR
You noticed too?

THE FUTURE DOCTOR
But I found you! Listen, not much time, but I need your jacket!


THE DOCTOR
You need my what?

THE FUTURE DOCTOR
Your jacket... My jacket... Our jacket, technically.  Don’t worry, you’ll get it back. You are getting it back.

The Doctor, a little confused, but removing his jacket nevertheless. It doesn’t make sense...

THE FUTURE DOCTOR
Wibbley-wobbley... Christmas timey-wimey...

Ah, NOW it makes sense – the Doctor hands the Future Doctor the tweed jacket. And the Future Doctor’s running again, back the way he came, out of sight.

On the Doctor – smiling, like it’s an added treat.

THE DOCTOR
Ah. Always nice to catch up with yourself.

Then suddenly it hits him. He smacks down his shirt and jeans pockets, empty – THE LIST! The list he JUST put in the jacket pocket not thirty seconds ago! Pushing the trolley aside he tears after the Future Doctor, tumbling out into the centre aisle.

Sweep left – nothing.

Sweep back right – nothing.

He’s gone.

On the Doctor again, his world collapsing before his very eyes.

THE DOCTOR
Okaaaay. Little bit trickier now than quantum physics.

CUT TO:

13. INT. HOME SECTION – NIGHT 1937

PAULA, 60s, short of both height and patience, arms folded as she listens to THE DOCTOR, who’s less giddy, more twitchy.

THE DOCTOR
Stuffing! Like in cushions except in a turkey... which is sort of like a cushion, but more with the flesh and skin... ah... thing.

PAULA
Are you trying to be funny?

THE DOCTOR
Not intentionally.

PAULA (Venomously polite)
Aisle twenty-five, sir. And next time you want to play silly beggars, choose any night except Christmas Eve.

On the Doctor, shamed.

CUT TO:

CU – A bag of stuffing landing in the trolley.

JUMP CUT TO:

14. INT. FROZEN FOOD AISLE – NIGHT 1945

ALAN, balding with a thick moustache and an irritated expression.

ALAN
Tell me you’re joking?

THE DOCTOR
Not intentionally.

ALAN
Are you seriously asking me on tonight of ALL nights, whether we have any turkeys left?

THE DOCTOR
If I say yes, will you shout more but eventually strike lucky and find one

ALAN
Yes. 

THE DOCTOR (Nervously)
Then... yes...?

Leans into air kiss him, but thinks better of it as Alan’s eyebrow arches dangerously.

THE DOCTOR (CONT)
Possibly not.

CUT TO:

CU of a slightly battered looking frozen turkey – small, but still a turkey, a MASSIVE reduced sticker slapped across it – slamming into the trolley.

JUMP CUT TO:

15. INT. JAM & SPREADS AISLE – NIGHT 2005

We join THE DOCTOR and KIRSTY, late forties, weary, like she’s been at this for hours:

KIRSTY
So, “like chestnuts, but different to chestnuts, but definitely not hazel, walnut, brazil, peanut or ‘Peladon Nut’?”

THE DOCTOR
Yes! Twenty-second time’s a charm. Althoooough... maybe it was chestnuts on the list?

On Kirsty, folding her lips to contain the seething anger.

CUT TO:

CU – a bag of chestnuts thrown into the trolley.

JUMP CUT TO:

16. INT. TOILETRY AISLE – NIGHT 2020

THE DOCTOR, slightly exhausted, but his trolley’s full as he pushes it along, head lolling not really looking as he – 

- slams headlong into THE FUTURE DOCTOR, still in the tweed jacket, even MORE frantic and out of breath than before.

THE FUTURE DOCTOR
Last time, I promise! Finished the shopping?

THE DOCTOR
Yes.  Everything on the list I can remember except baubles. Turns out you can mispronounce it according to the very angry lady in the Christmas aisle.

THE FUTURE DOCTOR
Good! Well not good! But good about the rest of the shopping.  Glad it’s done... as I’m going to have to steal it.

THE DOCTOR
You’re going to have to what now?

THE FUTURE DOCTOR
Steal it. Or technically re-steal it but from your perspective, steal it.

THE DOCTOR (NOT IMPRESSED)
Tell me you’re joking...

THE FUTURE DOCTOR
Not intentionally.

And then he’s moving, fast, faster than the current Doctor, seizing the trolley and dashing off with it, wheels skidding.

And the Doctor’s chasing after himself, but not fast enough, as the Future Doctor nips down an aisle and is gone!

Hold on the Doctor, pursed lips, quietly fuming.

JUMP CUT TO:

17. INT. FRUIT ‘N’ VEG AISLE – NIGHT 2035

KELLI, still unimpressed, handing THE DOCTOR a bunch of asparagus.

CUT TO:

CU – SLAM! Asparagus back in the trolley!

JUMP CUT TO:

18. INT. CAKE AISLE – NIGHT 2040

We find THE DOCTOR from behind two shelves, leaning down, disappointment etched over his features as he removes...

CUT TO:

CU – the SMALLEST Christmas Pudding ever being carelessly dropped into the trolley.
 
JUMP CUT TO:

19. INT. BISCUIT AISLE – NIGHT 2045

PAUL, astonished, incredulous.

PAUL
How can you lose forty Jammie Dodgers?!

CUT TO:

CU – a solitary, lonely pack landing in the trolley.

CUT TO:

CU – a bag of stuffing hits the trolley interior
 
JUMP CUT TO:

20. INT. FROZEN FOOD AISLE – NIGHT 2048

ALAN, his face boiling with rage as THE DOCTOR sadly trudges away, a turkey clearly not available on tonight of all nights.

JUMP CUT TO:

21. INT. JAM & SPREADS AISLE – NIGHT 2050

And KIRSTY’S walking very fast away from THE DOCTOR, trying to pretend she’s not seen him... such is her anxiety, she actually breaks into a run.

CUT TO:

CU – About twenty packs of different nuts are thrown into the trolley.

STAR WARS-STYLE CUT TO:

22. INT. CHECK-OUTS – NIGHT 2055

THE DOCTOR, so tired, so broken, but relieved as he queues behind a plump lady at a check-out as she pays.

Without enthusiasm or triumph, the Doctor moves his trolley forward to meet RACHEL, young, brunette and polite.

RACHEL
Hello again! Looks like you managed to get all your last minute shopping, sir! And not a moment too soon – we close early tonight. Worse time to forget your wallet.

And she laughs, expecting him to join in.

And we FAST ZOOM on the Doctor, in horror!!

THE DOCTOR
My jacket...


RACHEL
You’ve lost your jacket?  Where did you last have it?

And then it clicks. Like a light-switch, something just clicks inside the Doctor’s head. And now he’s gabbling, hands gyrating, no longer listening. 

THE DOCTOR
Yes, yes, yes!! Of course! Wibbley-wobbley...

(To Rachel)
“Rachel with an ‘e’ and an ‘l’”, I’ll be right back.  Literally back but I’ll also be back! Here I mean!

RACHEL
Okay, sir.  I’ll keep hold of your shopping– but you’ll have to be quick, you’ve not got a lot of time.

The Doctor – big smile.

THE DOCTOR
Rule 408 - time is not the boss of me.

CUT TO:

23. INT. TARDIS – NIGHT 

THE DOCTOR, dancing, spinning, shifting around the console, his fingers skimming keyboards, cranking leavers and twisting dials.  The room tipping and lurching due to the ferocity of the flight.
And WHOOMPH! And the Doctor’s moving, the time rotor barely stable, pacing down the steps and through the doors into:

24. EXT. SUPERMARKET CAR PARK – NIGHT 1920

The car park. But earlier, and THE DOCTOR’S running, legs bandy, arms flailing in his haste –
- and suddenly grizzled, set in his ways BILL is there, hand raised.

BILL
Whoa, whoa sonny – you can’t park there! Parent and child only.

The Doctor, so helpless, lips tightly shut, a finger hovering, ready to unleash the Oncoming Storm, before, finally...

THE DOCTOR
Fine! I’ll move it!

CUT TO:

25. INT. TARDIS – NIGHT 1926

WHOOMPH!

TARDIS landed once more, THE DOCTOR bounding through the doors.

CUT TO:

26. INT. SUPERMARKET FOYER – NIGHT 1927

We track with THE DOCTOR as he runs through into the maelstrom of SHOPPERS, allowing just enough time as he passes the cheaply-dressed SANTA again to shout:

THE DOCTOR
Still love the cosplay!!

SANTA (NOT GETTING IT)
What...?

But the Doctor’s gone as ...

FAST CUT TO:

27. INT. FRUIT & VEG AISLE – NIGHT 1930
THE DOCTOR, spinning frantically on his back heel, eyes darting – nothing.

FAST CUT TO:

28. INT. FROZN FOD AISE – NIGHT 1933

Again, THE DOCTOR, lost and desperate and he runs to a stop, head twisting and twitching anxiously.
Nothing. No one.

FAST CUT TO:

29. INT. CENTRE AISLE – NIGHT 1934

And he’s moving swiftly through the shoppers, head snapping left and right.

Still nothing.

And now THE DOCTOR’S really worried, his face falling, defeated until in the distance but close, and oh-so recognisable...

THE PAST DOCTOR (O/S)
Just a few more items left. Easy. Christmas Shopping – like quantum physics except less quantum-y.

And the current Doctor spins and runs in the direction of the voice, rounding the corner of –

30. INT. CEREAL AISLE – NIGHT 1935

– and SLAMS into THE DOCTOR from Sc 12, the earlier Doctor, the now PAST DOCTOR, wearing the JACKET, pushing a half-filled trolley as from before!!

      THE DOCTOR
Forty-two!

On the Past Doctor, shocked but taking it in.

THE PAST DOCTOR
Meaning of life? Number of goes it took me to crack sky-diving and metaphysical verse...

(Beat)

...at the same time?

THE DOCTOR

Forty-two aisles! All filled with...

His hand dances, as he finishes, disapprovingly

THE DOCTOR (CONT)
...shoppers!

THE PAST DOCTOR
You noticed too?

THE DOCTOR
But I found you! Listen, not much time, but I need your jacket!

THE PAST DOCTOR
You need my what?

THE DOCTOR
Your jacket... My jacket... Our jacket, technically.  Don’t worry, you’ll get it back. You are getting it back.

And now that line makes SO much more sense!

But the Past Doctor is still so confused, but removes his jacket nevertheless. It doesn’t make sense to him...

THE DOCTOR
Wibbley-wobbley... Christmas timey-wimey...

Ah, and NOW it makes sense – the Past Doctor hands the Doctor the tweed jacket. And the Doctor’s running again, back the way he came, belting down the CENTRE AISLE, pulling the jacket on hurriedly as we

CUT TO:

31. INT. TARDIS – NIGHT 

The engines creak and wheeze and groan as THE DOCTOR, now fully in the tweed jacket, pilots the TARDIS like a pro – heading back the way he left, euphoric, triumphant as he smashes down the handbrake, practically diving down the steps, through the door and out into...

32. EXT. SUPERMARKET CAR PARK – NIGHT 2132

...an empty car park.  

And all the energy and pace from the earlier scenes evaporates.

The overhead floodlights are lit, but not as bright... the J. Smith’s frontage muted, dark and closed, boarded up for the holidays.

He’s too late. Time wins. Christmas Eve is over.

On the Doctor, all his hope melted away, the TARDIS lights ghostlike behind him.

RACHEL (O/S)
Sorry, sir. 

He turns at her voice, and she’s still so polite even when going home for the night, wrapped in her navy duffle-coat and cosy beanie hat.

RACHEL (CONT)
I told my supervisor you’d be right back but we always have to cash up early on Christmas Eve.
The Doctor offers a small smile of thanks.

RACHEL
At least you got your first lot of shopping though. Is your family quite big?

THE DOCTOR
Well, I wouldn’t say –

And suddenly he’s looking at her, really looking at her, the rising chords of I Am The Doctor trickling in under as he realises, understands...

THE DOCTOR
My first lot of shopping...?

RACHEL
Yeah – earlier tonight, the first time you came through my till. I thought you’d forgotten something the second time.

And he’s smiling now and calmly, so confidently, so cool, heading back to the TARDIS, Rachel calling after him.

RACHEL
Where are you going?

THE DOCTOR
I don’t have my shopping...

And at the TARDIS door, he turns to face her, eyes dark and wonderful.

THE DOCTOR (CONT)
...but I know a man who does.

And the TARDIS door snaps shut.

CUT TO:

33. EXT. SUPERMARKET CAR PARK – NIGHT 2019

And instantly opens – the same car park, but once again, earlier in the evening.

And again, as ever, THE DOCTOR’S pounding in the direction of the main entrance, and already he can see BILL, unimpressed, preparing once again to make him move – 

- but reunited with his jacket means the Doctor’s reunited with everything as he flashes the PYSCHIC PAPER as he speeds past.

On Bill, stunned, not quite sure how to process what he’s just read.

BILL
I thought you’d be fatter! And older!

CUT TO:

34. INT. TOILETRY AISLE – NIGHT 2020

THE DOCTOR, weaving and dodging through browsing people, skims around the entrance to the toiletry aisle – 

- to slam headlong into THE DOCTOR from Sc 16, who’s once again designated now as THE PAST DOCTOR.

THE DOCTOR
Last time, I promise! Finished the shopping?

THE PAST DOCTOR
Yes.  Everything on the list I can remember except baubles. Turns out you can mispronounce it according to the very angry lady in the Christmas aisle.

THE DOCTOR
Good! Well not good! But good about the rest of the shopping.  Glad it’s done... as I’m going to have to steal it.

THE PAST DOCTOR
You’re going to have to what now?

THE DOCTOR
Steal it. Or technically re-steal it but from your perspective, steal it.

THE PAST DOCTOR (NOT IMPRESSED)
Tell me you’re joking...

THE DOCTOR
Not intentionally.

And then he’s moving, fast, faster than the Past Doctor, seizing the trolley and dashing off with it, wheels skidding.

But he knows he can win.  He knows how the story ends as he flies around the corner, leaving the Past Doctor far behind, exuberant as the checkouts sweep up gloriously into view.

CUT TO: 

35. INT. CHECK-OUTS – NIGHT 2025

Beep!

RACHEL scans and packs the final item in THE DOCTOR’S shopping.

She keys in a few onscreen butons, before turning to face him.

RACHEL
Okay, and if you’d just like to enter your pin number, sir.

The Doctor clicks open the sonic screwdriver, as whirbles it against the chip-n-pin machine.  Rachel, confused, but not questioning it.

And then the Doctor’s enters his four digits... followed by another four... two more... another one... and followed by a final one.

Rachel, still confused, hands him his receipt.

RACHEL
Did you find everything you were looking for, sir?

And the Doctor stops mid-stride, turning back to her,

THE DOCTOR
Yes, I think so.  But if I have forgotten anything... I’m sure it’ll come back to me.

And he’s gone.

And we’re sweeping majestically up over the rows of checkouts, bringing into focus the perpetual Christmas shoppers mulling through the aisles as we 

FADE TO:

36. EXT. STREET - NIGHT

It’s snowing – like in the opening scene, but real, shuddering flakes spinning over and over in their haste to reach the deserted square, jewelled with an iron fenced park, swings and slides swathed in heavy white.

And we should recognise it, long before the veil of tumbling snow is caught in an ancient breeze, the flakes curling and coiling, half-hovering, half-landing as the TARDIS melts into existence.

Silence.

And then the door cracks open, THE DOCTOR, back in his green coat now, steps out into the crisp snow, two bags of shopping dangling from his hands.

Somehow he manages to close the door, before looking back and up, as we see:

THE PONDS’ HOUSE. The same sky-blue one from The God Complex. And the warm glow that resonates from inside casts the Doctor’s features into soft relief as the front door opens...
...revealing just AMY.

A second moment of silence, larger than the space that separates them, neither knowing quite what to say. Then,

AMY
You’re late.

The Doctor nods, quiet,

THE DOCTOR
I know.  

AMY
You’re lucky my daughter knows how to use a phone.

THE DOCTOR
You’re lucky she doesn’t reverse the charges.

AMY
I know. 

And now she’s smiling.
AMY (CONT)
 Merry Christmas, Raggedy Man.

And now he’s smiling.

THE DOCTOR
Merry Christmas, Pond.

And now we crane up and away from the scene, the snow falling, as the Doctor and Amy make their way into the Ponds’ house for Christmas, the distant conversation audible enough that we hear that it is in fact actually Christmas Day.

But the remainder is lost as we soar higher and higher, the pinpricks of white snow against black slowly shifting and forming into a serene universe that silently watches over the Earth on Christmas Night.